"Prime Focus has been a real ally during the making of this very demanding series. They put together a robust workflow that just, well, worked. Flexibility, quality and a can-do attitude have been the hallmarks of the entire post-production process."
Feedback from: Ben Bowie – Executive Producer

 

"The unusual concept of a stylish, sporty hybrid offered us a great opportunity to push the boundaries. Although this is a fantasy drive we wanted to make it look as real as possible, which meant creating our own laser light show on the Spanish coast and using a challenging mix of formats. The Prime Focus team did a terrific job of managing the media, integrating the graphics and perfecting a difficult grade. Our client was delighted with the result."
Feedback from: Alistair Weaver – Executive Producer

 

"It's always a pleasure to work with the team at Prime Focus. The post-production process ran smoothly as always, and their input was invaluable in tying together the look and feel we sought for the show."
Feedback from: Rod Brown – Executive Producer

 

"We chose Prime Focus as we were impressed by their work for other clients and because they shared our excitement and vision of our project. They really went that extra mile and their whole team was really enthusiastic! My two directors Joey Ansah and Owen Trevor found Prime Focus creative, responsive and extraordinarily helpful. We are delighted with the work they have delivered."
Feedback from: Jacqueline Quella – Producer

 

"This was a complex project that needed a light touch and a creative eye to pull together all the many elements that had been so painstakingly created. Phil Hurrell was invaluable on the shoot, Duncan a joy to grade with (as always) and Derek's talent, persistence and patience meant we achieved the end result we had all been hoping for."
Feedback from: Cathy Green – Producer

 

"Prime Focus did a 3D conversion test for us and it was jaw-dropping, I loved it and I said go, it's amazing!"
Feedback from: Louis Leterrier – Director

 

"Due to the timings and post work that was needed on this job, Prime Focus managed to pull something off that many people thought was impossible in the time we had. It is a true sign of fantastic post producing and the brilliance of a great post house."
Feedback from: Claudio Gorini - Producer

 

"I came to Prime Focus as a new client, bringing with me a film that required a great deal of creative input in its online, grade and sound design. Fortunately I was not disappointed. I found all of the crafts-people at Prime Focus to be immensely capable, imaginative and professional and I came away with a beautifully post-produced programme."
Feedback from: Joe Matthews – Producer & Director

 

"This was my first visit to Prime Focus, I shall certainly be returning again soon. There is a great collection of people who couldn't have been more helpful."
Feedback from: James Lethem - Producer

 

"This is a truly beautiful series and the CGI compliments the specially-shot material perfectly. So often, space-based television programmes fail to capture the magnificence and awe of space but I think the creative team at Prime Focus have done just that."
Feedback from: Danielle Peck – Series Producer

 

"Working with Prime Focus has been a wonderful experience, much like our previous partnerships in projects like 'Black' and 'Ghajini'. I completely trust Rohan's sensibility as a Colorist and I am extremely pleased with the look and feel of the film.”
Feeback from: Ravi K Chandran – DoP.

 

"For us, as with all our special effects, the key was to make people believe the unbelievable. We only had one shot at this stunt and it had to be perfect and make a lot of noise for Living TV. Prime Focus took our idea of turning Marble Arch into the Gates of Hell and brought it to life. Seeing it engulfed in flames as we drove up Park Lane was absolutely breathtaking, and the moment when the Arch cracked and collapsed was stunning. We have created something really special together."
Feedback from: Jay Fretwell – Creative Partner

 

"It's been a pleasure working with Prime Focus on this programme. They are very accommodating and understanding of our needs, especially considering we were delivering very close to transmission and I think they did a great job of making sure the final programme looks and sounds its best."
Feedback from: Jane Lowe – Production Manager

 

"Being able to see the alternate endings in full context was really useful. The team at Prime Focus was willing to experiment with us; to use the DI technology to benefit the underlying story and not just the look. They created a very comfortable and confident environment to finish the film."
Feedback: Mark Ruffalo – Director

 

"Prime Focus were great to work with. They grasped difficult concepts and came up with some stunning ways to visualise them, whether it was the relationship between the planet's wind systems and the growth of trade, or the way in which fault lines stimulated the growth of early civilisations."
Feedback: Jonathan Renouf – Series Producer

 

"Prime Focus has always been consistent in their delivery. I was confident I would get the desired look for my film. They have some of the best technicians who I can completely depend upon. Sunny understood what we were looking for and the final result was totally in sync with what we were seeking. The professionalism and commitment is especially impressive."
Feedback: Santosh Tundyal – DoP

 

"Anne Trotman did an amazing job adding the explosions and additional debris and smoke. This was requested by the label when we were at the final stages of post production and so had not been planned in the initial shoot. Anne and the team at Prime Focus did an incredible job adding these to moving shots with moving talent. The work carried out in India was great and with Anne and Simon Huhtala overseeing it; it was a surprisingly easy and creative process. "
Feedback: Trudy Bellinger – Director

 

"Prime Focus made it easy for us to segue between grading and online, allowing a lot of flexibility right up until the last moment. When deadlines are tight, as they were on this project, that was a real luxury. Not to mention the quality of the work, which was top drawer."
Feedback: Ben Pugh – Producer

 

"I am delighted with the work Prime Focus has completed on 'Grow Your Own Drugs for Christmas'. Graeme has enhanced the colours and the look and feel of the programme is contemporary but brings a real Christmas magic to the screen. Clive, as always brought his attention to detail to bear on the project and Kevin flexed his comedy muscles adding a humorous spot effect or two to our festive graphics."
Feedback: Lucy Hooper – Series Producer

 

"I am really impressed by the dedication and commitment of the Prime Focus team. Rohan has an impeccable design sensibility coupled with an eye for details which really helped us achieve the desired look flawlessly."
Feedback: Vikas Nowlakha – DoP

 

"Prime Focus were extremely supportive of this project and as always Love were able to rely on their highly professional team for an excellent job - despite some difficult deadlines."
Feedback: Claire Mills – Production Manager

 

"I've now seen a number of high-end broadcast projects through from offline to delivery at Prime Focus and have been consistently impressed. It's rare to find such a combination of a flexible and friendly attitude, a collaborative approach to solving the inevitable production headaches, and a painless, creative journey through post."
Feedback: Alex Marengo – Director

 

"Prime Focus really came through for us on 'Muhammad and Larry'. They helped us achieve a beautiful looking and sounding film. Prime Focus has a terrific team of top notch talent, and we really enjoyed working with them."
Feedback: Bradley Kaplan – Director/Producer

 

"Prime Focus took up the challenge to do the invisible VFX & DI for the movie and pulled it off beautifully. Prime Focus is a new age company with deep rooted commitment and bustling with innovative ideas. It was a good fit with a youthful movie like 'Wake up Sid' and a young debutante director like me. I totally enjoyed working with both the VFX and DI teams and hope to come back to Prime Focus for my next."
Feedback: Ayan Mukherjee – Director

 

"The standard of professionalism and competence shown by the entire Prime Focus team – whatever the time of day, or however short the notice – has been nothing short of excellent. I can, without any hesitation, recommend Prime Focus’ services, whatever pressure and tight budgets producers may be working under and however seemingly impossible the schedule."
Feedback: Nigel Farrell – Series Producer

 

"It was a pleasure working with blue as they went to great lengths to provide continuity of staff who learnt the style of the show inside out and created inspired, crisp and punchy audio mixes and great online visuals - the colour grading was spot-on. It was a complex and challenging show to get 100% right and I'm delighted with the end results."
Feedback: Michal Porecki – Series Producer

 

"Prime Focus, yet again, gave us all their best people despite the limitations of budget and time. Their contribution was vital in giving the whole film the immediacy and impact that we were looking for. The creativity and willingness to go that extra mile is something they always deliver and this shows in the end result."
Feedback: Rankin & Chris – Director

 

"Prime Focus' professionalism, cost effectiveness, end to end service and excellent quality makes it amongst the leading post production houses in India. It is like a one stop shop where once you complete the shoot and deliver the negative, you can be assured about the final print reaching you, the distributers and the exhibitors without any delays. Working with Prime Focus on 'Love Aaj Kal' has been a wonderful experience, much like our previous partnerships in projects like 'Eklavya' and 'Jab We Met'."
Feedback: N Natarajan Subramaniam – Cinematographer

 

"The creative input from both Richard and Clive has really helped to enhance the sensitive nature of this film, and coupled with the efficiency and positive attitude of Nicola Whitehead, despite an ever reducing delivery schedule, the whole process has been seamless and trouble free."
Feedback: Pete Hurst – Production Manager

 

"Prime Focus was the only facility we could find with the infrastructure and manpower needed to take on a job of this size within our delivery timetable. The staff at Prime Focus bent over backwards to make it happen."
Feedback: Tony Roman – VFX Supervisor

 

"It's a pleasure to work with a team that supports and executes an idea this effectively. The idea to take forward the coffee-toffee argument to beyond our own world was interesting to begin with, and we’re pleased with the level of detailing and realization put in by the Prime Focus team."
Feedback: Minakshi Achan – Executive Vice President and Executive Creative Director

 

"Douglas Hart and James Tillett have worked together on a number of videos now and the results are always beautiful, so it was a no-brainer when it came to talking about post production. Douglas' original reference for the video was the film ‘In Cold Blood’ and he really wanted to achieve the richness of 1940’s film noir, which James has done beautifully. Having shot on the RED, we were always aware that the finished piece needed to have a truly filmic quality, and as ever, the Prime Focus boys have done us proud."
Feedback: Lucy Booth – Producer

 

"I think what strikes me the most about the Prime Focus DI team is the fact that they develop a lot of chemistry between the colorists and the DoP based totally on aesthetics which is really great. One is interacting with a painter and not just a technical guy. The ability to understand the deep blacks and the whites without making the grey areas look as mundane as they are is what makes Prime Focus different from others."
Feedback: Aseem Mishra – DoP

 

"Richard Fearon was the colourist and did a great job for us. Working with Ed Wild, the DoP, he provided a sophisticated look that supported the film’s story. We chose Prime Focus because of Richard’s working relationship with Eran Creevy, the Director, and his passion for the project, and it proved to be the right decision."
Feedback: Ben Pugh – Producer

 

"I think Prime Focus really went above and beyond the call of duty in commitment, application and technical skill, and can be proud of their invaluable participation. Chris Chard first got involved with the project and made sure we had the perfect team to work with. His skills as a producer and a person really got 'Bananaz' to where it is today."
Feedback: Ceri Levy – Director/Producer

 

"It takes nine offlines, two onlines, Nitris, Smoke, two sound studios and nearly six months of hard graft in post to get Great British Menu on air, and you could only do that with a dedicated facility behind you. What makes me pleased to come back, for this our third year together, is the breadth of services available and the enthusiasm for the series from all the staff. It genuinely feels like they know the show as well as, if not better, than me sometimes!"
Feedback: Philip J Smith – Series Producer

 

"Prime Focus did an outstandingly good job; everything came out just as we hoped it would. It was a smooth experience and everyone brought their abilities to the project and I think it shows in the finished version."
Feedback: Alastair Thain